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arts
Hosted by M. Cristina Marras · arts · EN · 79 episodes
Characters who can't always be trusted. Because they often don't see the difference between sound and noise, between countryside and abandoned building, between fiction and reality.I explore sound, speak languages and talk to strangers. This is my work.AIR Member. www.cristinamarras.com
Required Pod Score for this show. PitchCentric checks your profile against host openness, topical fit, and audience signals before you generate a pitch.
Contact path
Public web form
Booking probability
31%
Guest openness
Selective
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Signup to Generate a PitchArt, in all the wrong places is a arts podcast hosted by M. Cristina Marras, with 79 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.
M. Cristina Marras hosts Art, in all the wrong places, a arts show with 79 episodes published.
Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.
Episode #80
<p>What would be like to read the weather report in a place with no weather? And where no one is listening anyway?</p><p>A one-minute weather report from the Moon. </p><p>Part of my ongoing series of weird public announcements.</p><p><br>Created for Audio Playground, a fun audio assignment project run by Sarah Geis.</p><p>Photo by Photo graphics Art on Unsplash</p>
Episode #79
<p>A public service announcement about gambling harm, aimed at migrant women. The presenter knows the script. She's less sure about the conclusion.</p><p>Part of my ongoing series of weird public announcements.</p><p>Created for Sonic Dash, a biannual 48-hour audio competition run by Silver Sound (New York): an original piece, under two minutes, made entirely from scratch in 48 hours in response to an emailed prompt. No archival material, no AI, no pre-existing music. Summer 2026 prompt: Going for broke.</p><p>Photo by Stewart MacLean on Unsplash</p>
Episode #78
<p>A personal reflection on bodies, loss, and the things we do without thinking. Starting from an everyday habit, walking barefoot at home, the narration moves toward a family story that reframes everything that came before it. </p><p>Quiet, direct, and with somewhere unexpected to go.</p><p>This piece was created for 60 Sec Radio, an international radio art competition and broadcast platform founded by Boris Chassagne, launched annually on February 13 (UNESCO World Radio Day). The sole constraint: works must be exactly 60 seconds. Over its 11 editions it has gathered more than 2,000 works from artists in 74 countries working in 30+ languages, d...
Episode #77
<p>Dies ist eine Geschichte darüber, als Erwachsene Fahrradfahren zu lernen — und über all die Gründe, warum es so lange gedauert hat. Über eine Kindheit in Sardinien, wo Fahrräder für Jungs waren. Über eine geborgene Gasse und meinen Freund Giuseppe.</p><p>Von Niebuhrstrasse to Savignyplatz ist ein kurzes Audiostück für alle, die jemals etwas spät lernen mussten — und es alleine lernen mussten. Entstanden für das Cities and Memory Spring Project 2026.</p><p>Es gibt noch einen kleinen Epilog zur Geschichte: Der Grund, warum ich mich zwang, Fahrradfahren zu lernen, war, dass ich einige Mona...
Episode #76
<p>The salt is blinding. The provisions are half gone. There is no turning back.</p><p>Lagoon picks up where Bitter Water ends: the vault is behind her, the liquid expanse is ahead, and the white formations on the horizon may or may not be what the Elders described. The surface is hostile: quicksand beneath the salt crust, acid water, beasts adapted to sulfureous ponds. She keeps moving. Above the white formations, the sky is doing something she has no word for.</p><p><br>The Elders said the phoenicotterius stood still as statues in the Molentargius Lagoon, long...
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