Broadway Bound: The Musicals That Never Came to Broadway

Join Broadway historian, director, and all around MT nerd Robert W. Schneider for a wild and exhaustively researched celebration of the musicals that had set their sights on Broadway but missed the mark. The second season of Broadway Bound is called "YOU'RE ONLY AS GOOD AS YOUR LAST" explores ten Broadway Bound musicals that were written by major songwriters. From a foul mouthed Little Orphan Annie to dancing woolly mammoths, Broadway Bound: The Musicals That Never Came To Broadway is sure to open your eyes to some of the most bizarre, brilliant, and bold musicals that tried to get themselves on the Great Bright Way!

Broadway Bound: The Musicals That Never Came to Broadway is a arts podcast hosted by Unknown Host, with 22 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.

Unknown Host hosts Broadway Bound: The Musicals That Never Came to Broadway, a arts show with 22 episodes published.

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  Episode #4

  JERRY LEWIS in Hellzapoppin

  Aug 12, 202643 minS3

  Jerry Lewis looked at one of the craziest stage comedies ever written and thought, "Needs more Jerry Lewis." The result was Hellzapoppin' '76, a musical so ambitious, so expensive, and so gloriously overstuffed that it practically collapsed under the weight of its own enthusiasm. This week, we explore the age-old Broadway question: when does confidence become hubris? Or, put another way, how many clowns can you fit into one flop? If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use. Learn more about your ad choices. Visit megaphone.fm/adchoices

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  Episode #3

  BETTE DAVIS in Miss Moffat

  Jul 29, 202645 minS3

  By 1974, Bette Davis had spent forty years winning fights, collecting enemies, and becoming Bette Davis. Then she decided to do a musical. What could possibly go wrong? Everything. This week, we tell the story of Miss Moffat, the legendary out-of-town disaster that finally met its match in an equally legendary star. At its heart, this isn't a story about a flop. It's about what happens when Broadway and Bette Davis both expect to be the boss. If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use. Learn more about your ad choices. Visit megaphone.fm/adchoices

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  Episode #2

  ANGELA LANSBURY in Prettybelle

  Jul 15, 202644 minS3

  CW: This episode frequently mentions the word r**e in relation to the story Angela Lansbury survived murder mysteries, Tom Bosley's New England accent, and a murderous nephew. But could she survive a musical about a Southern woman who decides the solution to racism is......well, you just need to listen to this episode about the Styne/Merrill musical Prettybelle This week, we examine one of the most baffling concepts ever set to music and discover how one of Broadway's most beloved stars managed to walk away from a catastrophe with her reputation not only intact—but somehow improved. If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use. Learn more about your ad choices. Visit megaphone.fm/adchoices

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  Episode #1

  BEA ARTHUR in A Mother's Kisses

  Jul 1, 20261h 3mS3

  Bea Arthur spent her career playing women who could level a grown man with a single look. So naturally she starred in A Mother's Kisses, a musical about a stage mother so terrifying she makes Mama Rose look like Maria Von Trapp. This week, we explore the show that seemed perfectly suited to Bea's talents and ask a simple question: can a star be too right for a role? Along the way, we'll uncover a musical that wasn't really about Broadway at all—it was about what happens when nobody in the room is willing to blink first. If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use. Learn more about your ad choices. Visit megaphone.fm/adchoices

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  Broadway Bound: The Musicals That Never Came to Broadway

  SEASON THREE Teaser: I'm The Greatest Star

  Jun 24, 20264 minS3

  Season 3 is almost here! This season on Broadway Bound: The Musicals That Never Came to Broadway, we're turning the spotlight on the stars who thought Broadway would be their next triumph... and discovered it had other plans. Join Robert W. Schneider as he explores the stories behind Angela Lansbury, Bette Davis, Bea Arthur, Jerry Lewis, Ginger Rogers, Anthony Newley, Barbara Cook, Robert Preston, Gene Barry, Randy Quaid, and the Broadway-bound musicals that never quite made it. It's a season about ambition, celebrity, ego, reinvention, and the glorious chaos that happens when legends collide with live theater. Season 3, I'm the Greatest Star, premieres July 2, 2026. Subscribe now so you don't miss a single flop. If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use. Learn more about your ad choices. Visit megaphone.fm/adchoices

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