CineFix Top 100

Cinefix is the first podcast from the long-standing, movie-obsessed YT page, CineFix. Compiled from their personal top 100s by some sort of robot algorithm they don’t really understand, our resident film nerds Clint Gage and Michael Calabro plan to discuss one of the top 100 movies each week with one catch: they don't know what movies are on it or where they rank! CINEFIX is a part of the Geek Media Podcast Network, an IGN Entertainment Brand. Visit Geek.com for more information.

CineFix Top 100 is a tv podcast hosted by Unknown Host, with 57 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.

Unknown Host hosts CineFix Top 100, a tv show with 57 episodes published.

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  CineFix Top 100

  The Graduate is Different When You're Older Than Mrs. Robinson

  Sep 18, 20251h 50mS0

  <p>“You’re trying to seduce me…”</p> <p><br></p> <p>The Graduate dropped in 1969 from Mike Nichols on the cutting edge of New Hollywood. The story of a recent college grad and an affair that shapes the transitional years into his adulthood and his lover’s middle age. As iconic as a movie can be, Dustin Hoffman and Anne Bancroft starred in a movie that’s as relevant now as it was in the aftermath of the Hays Code and on the cusp of a new style of filmmaking that would define a generation of artists. Clint, Cal and Nick tal...

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  CineFix Top 100

  Hell or High Water Is Brotherly Love No Country For Old Men Style | CineFix Top 100

  May 11, 20251h 40mS0

  <p>“The whole of Texas, huntin’ our shadow…”</p> <p>2016’s Hell or High Water followed the story of two brothers robbing from the bank that’s foreclosing on the family farm all the way to a Best Picture nomination. From director David Mackenzie and a soon-to-be Yellowstone empire architect Taylor Sheridan, the straightforward film deals with legacy, class and the universal relatability to a very specific place and time. Clint, Cal and Nick talk about westerns as a genre that looks good with “neo” in front of it, Chris Pine as a mustache influencer, and how Ben Foster is the most interes...

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  CineFix Top 100

  Aliens Is The Best Sequel That’s Barely Like The Original | CineFix Top 100

  Apr 27, 20251h 34mS0

  <p>“Another glorious day in the Corps…”</p> <p>1986’s Aliens blasted its way into theaters and began it’s quick ascent to the top of everybody’s “best sequels ever” lists. But the wild thing is, Aliens almost didn’t happen thanks to Hollywood’s famous accounting skills. Clint, Cal and Nick talk about Sigourney Weaver’s legacy on the cutting edge of mid-80s action stardom, the Pinewood Studios crew’s daily tea time walk outs and James Cameron’s super power for knowing the limits of what to show on screen and for how long.</p> <p>Meanwhile, Dan’s Algorithm...

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  CineFix Top 100

  Scorsese Made a Lifestyle The Main Character of Goodfellas | CineFix Top 100

  Apr 20, 20252 hourS0

  <p>“Funny how?”</p><p><br></p><p>1990s Goodfellas set a new high watermark for the gangster movie. The Martin Scorsese classic starring Robert De Niro, Joe Pesci and Ray Liotta (along with, like, half the cast of The Sopranos) portrayed a world in which the mafia life itself was the main character. Clint, Cal and Nick talk about the origins of the famous Copacabana shot, the most brilliant insert shots in the history of film, and how over Christmas that year you could see Joe Pesci in both Home Alone and Goodfellas in theaters.</p><p><br></p><p>Me...

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  CineFix Top 100

  The Empire Strikes Back Is The Father Of All Sequels | CineFix Top 100

  Apr 13, 20251h 32mS0

  <p>“I am your (SPOILERS REDACTED)…”</p><p><br></p><p>The Empire Strikes Back was the sequel to a movie that helped change the way the film business worked. The continuing adventures of Luke, Leia, Han and the rebellion picked up where Star Wars left off and left it in a much darker place. Clint, Cal and Nick continue the season of family by talking about the one-man-financing approach to following up the biggest movie of all time, the technical wizardry of optical printing and how ILM’s new office building was included in the VFX budget.</p><p><br></p><...

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