
Episode #40
The Big Screen Is Back! But Can Independent Film Survive?
Cinema is having a blockbuster summer. The Odyssey and Spider-Man are smashing records, surprise hits such as Backrooms and Obsession are pulling younger audiences into cinemas, and the box office comeback we've been predicting finally seems to have arrived. So why is it still so difficult to make money from independent film? After producer Marco Perego — behind some of this year's most acclaimed indie films like Fjord — said at Locarno that you shouldn't get into independent cinema for the money, we ask whether the traditional routes for discovering and selling indie films are still working. Emma Jones and Kaleem Aftab look at what's driving audiences back to the big screen, whether a new generation of young movie stars is emerging, and what the blockbuster boom really means for the rest of the film industry. Plus, Emma recommends watching Maite Alberdi's extraordinary documentary A Child of My Own, while Kaleem discusses Hyper: The Stevie Hyper D Story — and his unexpected personal connection to the film. Join the conversation on our Substack and social channels. cinemainonetake.substack.com Follow us on Instagram: @aftabamon @emmapjones1

