DB10 - where the obscene and the absurd refuse to be contained. Tim Gregory and Melletios Kyriakidis dismantle dominant narratives, exposing the grotesque, the derailed, and the unspeakable in contemporary discourse.This is not an art podcast for passive consumption. It’s a dissection of the fetishised and the discarded, the hauntological wreckage of academia, and the anarchic play of a world in collapse. From auto theory to Marx, from magic to pornography, from counter-histories to fractured aesthetics -nothing is stable, and everything is unsettled.Instagram.com/db10_unhinged
Pitch Analysis
Required Pod Score for this show. PitchCentric checks your profile against host openness, topical fit, and audience signals before you generate a pitch.
Contact path
Verified email
Booking probability
30%
Guest openness
Selective
Verified email on file
80/100
Required Score
Sign up to generate a grounded pitch for DB10 - Unhinged, obscene, and disruptive -.
What is DB10 - Unhinged, obscene, and disruptive -?
DB10 - Unhinged, obscene, and disruptive - is a comedy podcast hosted by Melletios Kyriakidis and Tim Gregory, with 22 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.
About the host
Melletios Kyriakidis and Tim Gregory hosts DB10 - Unhinged, obscene, and disruptive -, a comedy show with 22 episodes published.
Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.
DB10 - Unhinged, obscene, and disruptive -
Gustave on Pills and Porn
Jul 4, 20261h 58m
In this episode Melletios and Tim discuss charity collectors,hot lecturers, wheelchairs using bike lanes and a design for a perfect cow killer. We (finally) get to Paul Preciado’s Pharmacopornography . We discuss the history of biopower via Kodak, fallout shelters and Miss Atomic Bomb. All of this for Tim to arrive at his “trauma” of being kicked out of a mall by mall cops. This shit is killing us, so listen along if you want it to kill you too. x Links to smarter people: Paul Preciado, Testo Junkie Beatriz Colomina, X-Screens: Röntgen Architecture J. Logan Smilges Crip Negativity
Syntax Error: Painting is Dead, Long Live Painting
Jun 8, 20262h 11m
In this episode our painting is selected for the Salon des Refusés, and Melletios goes to the opening. He embarrasses himself but somehow makes friends with Craig Foster. Meanwhile Tim tries to start, but Melletios needs to know what brand of salt Tim puts in his hair. Eventually Tim discusses Effigy Attack and the laws around paintings being treated as actual humans (for the purposes of being hanged during the French revolution). If a painting can come alive so it can be harmed, how can we think of contemporary painting and AI as the ghost of deep traumas in excess of photography? How can we think of the new laws around AI generated porn as the tip of the iceberg? Where each AI image holds the traces of the image based work and extractive mining that are required for the spectacle to appear. Can “alive” paintings reveal that ‘truth emerges through art as revelation rather than representation’ (Bogna Konior, 2026). Links: Blak Douglas Artist Website Karla Dickens at AGNSW Website Laurel Nakadate Artist Website Wangechi Mutu at MoMA Up in the Sky by Tracey Moffatt 1997 War in the Age of Infinite Evidence: On AI-Generated War Photography, Bogna Konior, 2026 Seeing Against Seeing by Alexey Yurenev 2023-2025
The Imperial Aesthetic vs. the Anti-Spectacle: Sport & Violence
Apr 11, 20261h 30mS0
<p>DJ Delicious Mellicious takes a call from his mum and explains to her what a podcast is. We discuss why clapping alone is weird, but it’s even weirder when people clap alone, together. Melletios just wants to be clapped to sleep. Tim just wants to make music with a pasta machine. Both just want to be an anti-fascist spectacle. We discuss the history of the spectacleas moving from being to having to appearing. Appearance is always a fantasy we can’t have. And the hottest fantasy around is Heated Rivalries, a show about ice hockey, homoerotica and gentle (fasc...
<p>In this episode we discuss (eventually) Roland Barthes’ 1973“The Pleasure of the Text”. We dive into the cut between pleasure and bliss, administration and abolition, comprehension and noise. We travel vertically through time, trying to escape the horizontality of property, debt and prisons. How can we find the vertical when we are forced to wait? How can we reclaim agency from the narrative fantasies we are told to desire? Can we find a nihilistic truth at fantasy’s ultimate end point (hint, a special guest returns that no one asked for). Oh and Melletios somehow makes Tim paint again. </p><p><br...
Art is Dead, Long Live Art: eschatology and the death drive
Dec 24, 20252h 21mS0
<p>In this episode we talk about making art in the end times. Whathappens when the end doesn’t come? Melletios runs around naked, Tim takes drugs to dull the pain, and Malevich is stuck painting squares, forever. We discuss eschatology and the death drive as opposing forces in art making that tries to deal with the death of art (and everything else). We throw in dead supervisors, Heaven’s Gate cult, Lars Von Tres’ Melancholia and a sad triangle. Can art reclaim a power at the end that isn’t sublimated to fascist aesthetics, or the cold post-conceptualism of “smoothing...
Every question we get asked before someone starts their trial.
If you have a concern about deliverability, AI quality, data privacy, or whether this will actually work for your specific situation, it's probably answered below.
What is the difference between Founder Solo and Founder Pro?
Founder Solo gives you 50 AI pitches per month using the credit model (Standard pitches cost 1 credit, Enriched pitches cost 2). Founder Pro raises that to 200 credits per month and adds full Booking Probability access, unlimited Magic Match, Apollo enrichment credits, and data export capabilities. Both plans use the same credit system, so you can stretch your monthly budget further by using Standard-mode drafting.
How do agency tiers work?
Agency tiers have no base fee. You pay per managed client and per talent profile. Agency Standard is $199 per client per month; Agency Pro is $399 per client per month. Both add $39 per talent profile per month. Your own team's user seats are always free.
What is a talent profile?
A talent profile represents one person (founder, executive, or spokesperson) you are booking onto podcasts. It includes their bio, topics, headshots, and outreach history. Team plans include 5 profiles; agency plans are pay-as-you-go.
Can I switch plans later?
Yes, at any time. Upgrades take effect immediately; downgrades apply at the end of the current billing period. Contact support if you need help migrating between plan families.
Do you offer a free trial?
Every paid plan includes a 15-day free trial. Your card is saved at signup but you will not be charged until day 16. Cancel any time from your dashboard.
What happens if I cancel?
You keep access until the end of your current billing period. No charges after that. Your data is retained for 30 days in case you reactivate.
Is the 20% annual discount automatic?
Yes. Select Annual on the pricing toggle and the discounted price is applied automatically at checkout. The annual price shown is the full year cost.
What if I have more than 50 profiles or 20 clients?
That is our Enterprise tier. Contact our sales team and we will build a custom plan with volume pricing, a dedicated account manager, and SLA guarantees.