
Fade to Chat: Golden Age Cinema
Hush . . . Hush, Sweet Charlotte - 1964
Cindy and Marty discuss a 37-year-unsolved decapitation, a decaying Louisiana mansion, and an aging recluse who may — or may not — be losing her grip on reality: Robert Aldrich's follow-up to Baby Jane pits Bette Davis against phantom harpsichords, a scheming cousin, and a plot to have her committed. Essential Elements Director/Producer: Robert Aldrich Stars: Bette Davis, Olivia de Havilland, Joseph Cotten; with Agnes Moorehead, Mary Astor, Victor Buono, Bruce Dern Screenplay: Henry Farrell & Lukas Heller Release: December 16, 1964 | Running Time: 133 min | Black-and-white Awards: 7 Academy Award nominations — a horror-genre record at the time — including Best Supporting Actress for Agnes Moorehead, who won the Golden Globe Trivia Director Robert Aldrich took three planes, a train, and a mountain taxi to reach Olivia de Havilland in Switzerland, needing four days to talk her into replacing an ailing Joan Crawford. Barbara Stanwyck and Loretta Young both turned the role down; Young said her horror-for-women objection wouldn't change even if she were starving. Davis leaked de Havilland's casting to the press before Aldrich could formally notify Crawford, who heard the news over the radio. Davis installed Coca-Cola vending machines on set purely to needle Crawford, a longtime Pepsi board member — then had a Coke delivery truck driven through a shot for good measure. On Crawford's last day of filming, the crew reportedly packed up and left her at the location with no ride back to her motel. A $200,000 replica of the Hollis mansion was built on a Fox soundstage; exteriors were shot at Houmas House Plantation outside Baton Rouge, where tour guides still point out Davis's bedroom. With no time to alter her wardrobe, several of de Havilland's costumes — including a Christian Dior gown — came straight from her own closet. Crawford's brief cameo survives anyway: she's glimpsed for two seconds in a taxi's back seat before the footage cuts to de Havilland. The title came from the theme song's lyrics after Davis vetoed the original title for sounding too close to Baby Jane ; Patti Page's recording became a million-selling top-10 hit. Joseph Cotten's character's plot to convince Charlotte she's insane is now pop-culture shorthand for "gaslighting" — a term that traces back to another Cotten film, Gaslight (1944). Thank you for watching Fade to Chat: Golden Age Cinema! Contact us: ThePodTalkNetwork@gmail.com Visit the network: ThePodTalk.NetSpread the word to other Golden Age cinema lovers!

