
Inside Vancouver Opera
Stanis Smith: The Mother Art
Stanis Smith has spent his career designing the spaces people move through — airports, terminals, thresholds. This September, he becomes Board Chair of Vancouver Opera. He's also a clarinettist who self-produced a chamber music album of Brahms and Nino Rota. He's the person who will tell you, with complete conviction, that Frank Lloyd Wright was wrong: the mother art isn't architecture. It's opera. In this episode, Ash Foot sits down with Stanis to talk about standing-room tickets at Covent Garden, what it takes to convert a first-time opera-goer into a lifelong addict, and why he built a 50-piece art program into the bones of the new $4.2 billion Terminal 6 at JFK. They also discuss Vancouver Opera's upcoming season, the state of the art form in 2026, and the Vancouver Cultural Precinct — an initiative that could transform the city's performing arts landscape within a decade. A conversation about art, architecture, and what happens when someone walks into a room and feels something they weren't expecting.






