Look Again

<p>In this episode, I look at Kendall, Ken Doll, an original work that begins with a fish and ends somewhere else. Starting from this work, the episode follows how attention moves: what is noticed first, what feels familiar, and what quietly fades into the background. It considers how bodies become images, how images become templates, and why some forms are easier to recognize than others. It is less about what the work is than about why it is seen in the way it is. </p>