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Hosted by Unknown Host · General · EN-US · 10 episodes
Comments and reviews of opera, music, and medicine
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Signup to Generate a PitchOpera – Neil Kurtzman is a general podcast hosted by Unknown Host, with 10 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.
Unknown Host hosts Opera – Neil Kurtzman, a general show with 10 episodes published.
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Opera – Neil Kurtzman
The performance history (1883-1985) of the Met was compiled in print and released in the massive Annals of the Metropolitan Opera in 1989. It was published in two volumes. The first was Chronology 1883-1985, while the second was Tables 1883-1985. I had a copy of the print edition that I used frequently. In 2005 the...
Opera – Neil Kurtzman
My subject is operas that are known almost entirely because of one hit aria. Without the tune, they would be virtually invisible. Below are 15 arias that I think fit the description just given. Catalani’s Ebben? Ne andrò lontana from the first act of La Wally is probably the supreme example of the one-aria opera....
Opera – Neil Kurtzman
<p>The prelude to the beginning of an opera or to one of its acts differs from an overture in several ways. A prelude is usually, though not always, shorter. It is not a compendium of the work’s hit tunes. It tends to be less formal and more atmospheric. It typically runs directly into the action without a pause. Its structure leaves virtually no room or need for applause. The grand overtures to operas like those that start The Marriage of Figaro, William Tell, or La Forza del Destino are often received by audiences with rapturous applause – if well perf...
Opera – Neil Kurtzman
The prelude to the beginning of an opera or to one of its acts differs from an overture in several ways. A prelude is usually, though not always, shorter. It is not a compendium of the work’s hit tunes. It tends to be less formal and more atmospheric. It typically runs directly into the action...
Opera – Neil Kurtzman
<p>Jerome Hines was one of the towering figures of twentieth-century American opera – literally and artistically. Standing more than six and a half feet tall, with a sonorous bass voice of exceptional power and clarity, Hines enjoyed one of the longest and most distinguished careers in the history of the Metropolitan Opera. </p> <p>Yet he was also an unusual intellectual among singers: a trained mathematician and chemist who published articles in mathematical journals and maintained a lifelong interest in philosophy and science.</p> <p>He was born Jerome Albert Link Heinz on November 8, 1921, in Hollywood, California. During his studies at...
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