The Blue Hour

The Blue Hour is a conversation – a dialogue about life, literature, science, philosophy and everything in between.

The Blue Hour is a society podcast hosted by CiTR & Discorder Magazine, with 155 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.

CiTR & Discorder Magazine hosts The Blue Hour, a society show with 155 episodes published.

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  The Blue Hour

  Why Consumers Reject Cheaper, Cleaner Cars — Dr. Werner Antweiler on the Economics of Electric-Vehicle Adoption

  Aug 4, 202657 min

  In this conversation, I speak with Dr. Werner Antweiler, an economist and Associate Professor at UBC’s Sauder School of Business, where he holds the Chair in International Trade Policy and chairs the Strategy and Business Economics Division. He is also an associate editor of the journal *Resource and Energy Economics* and a faculty member of UBC’s Clean Energy Research Centre. Educated at the University of Cologne and the University of Toronto, his research spans international trade, environmental and energy economics, electricity markets and applied econometrics. His published work has examined the relationship between trade and the environment, renewable energy and electricity storage, international hydrogen trade, biofuels, vehicle emissions and transportation policy. He is also the author of *Elements of Environmental Management*, an interdisciplinary book bringing together environmental economics, law, engineering and business strategy. His latest paper, *Carbon Pricing, Capital Bias, and Electric Vehicle Adoption*, is forthcoming in the *Canadian Journal of Economics*. It examines why consumers may reject a cleaner technology even when it would cost them less over its lifetime—and what that means for carbon pricing, electric-vehicle subsidies and the design of environmental policy.

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  The Blue Hour

  Dr. Jennifer Kramer on Nuxalk Strong: Dancing Down the Eyelashes of the Sun

  Jul 28, 202654 min

  In this conversation, I speak with Jennifer Kramer. She is Associate Professor of Anthropology at the University of British Columbia and Curator of the Pacific Northwest at UBC’s Museum of Anthropology. She holds a PhD in Cultural Anthropology from Columbia University and has worked with the Nuxalk Nation since 1994. For more than two decades, she has worked alongside Indigenous artists, knowledge keepers and communities, exploring how museums can become places of collaboration, cultural renewal and shared authority. Her scholarship focuses on the visual and material cultures of Northwest Coast First Nations, particularly the Nuxalk and Kwakwaka’wakw, and includes questions of representation, repatriation, cultural property, art-market economies and collaborative museology. She is the author of *Switchbacks: Art, Ownership, and Nuxalk National Identity* and *Kesu’: The Art and Life of Doug Cranmer*, and co-editor of *Native Art of the Northwest Coast: A History of Changing Ideas*. Through her research, teaching and curatorial practice, she has helped reshape conversations about Northwest Coast Indigenous art, museum anthropology and the evolving relationship between museums and Indigenous communities. Our conversation centres on one remarkable exhibition: *Nuxalk Strong: Dancing Down the Eyelashes of the Sun*. Co-curated by Snxakila–Clyde Tallio, Director of Culture and Language for the Nuxalk Nation, and Jennifer Kramer, it was the first exhibition devoted entirely to the Nuxalk Nation. Bringing together more than sixty historic Nuxalk treasures from museum, private and family collections, the exhibition at UBC’s Museum of Anthropology demonstrated how language, governance, law, ceremony, artistic practice and community leadership remain deeply interconnected. It also showed how museums can become places of return, reconnection and renewed relationships, while affirming Nuxalk sovereignty and self-determination. Jennifer is now co-authoring a forthcoming publication exploring the exhibition’s continuing impacts and legacies, tentatively titled *Relations and Returns: Reconnecting Nuxalk Treasures and Kin*.

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  The Blue Hour

  Inside the Audain Art Museum: In Conversation with Dr. Curtis Collins

  Jul 21, 202657 min

  In this conversation, I speak with Dr. Curtis Collins, Executive Director of the Audain Art Museum in Whistler, British Columbia. Few museum directors have experienced Canada’s artistic and cultural life as broadly as Curtis Collins. Over more than three decades, he has led galleries, museums and arts institutions across six provinces and one territory—from Fredericton to Dawson City, from Regina to Whistler—while also teaching at universities across the country and helping shape major exhibitions, publications and public programs devoted to Canadian art. Curtis has led the Audain Art Museum since 2018 and now serves as its Executive Director. During a remarkable period of growth, he has overseen exhibitions including Wolves: The Art of Dempsey Bob, Curve! Women Carvers on the Northwest Coast, The Coast Mountains: Recent Works by Edward Burtynsky and Karin Bubaš: Garden of Shadows. He is also the co-author, with 7IDANsuu James Hart, of the recent publication 7IDANsuu James Hart: A Monumental Practice, the first publication devoted to Hart’s extraordinary career. In our conversation, we speak about these artists, exhibitions and his recent publication, as well as the Museum’s Tuesday Night Talks and his research for The Tlingit: Four Centuries of Art, a major exhibition planned for 2028. We also reflect on Curtis’s journey through museums across Canada and the many ways museums bring artists, ideas and audiences together.

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  The Blue Hour

  In Conversation with Dr. Sonia Del Re: The Intimate Life of Prints and Drawings at the National Gallery of Canada

  Jul 14, 202651 min

  In this conversation, I speak with Sonia Del Re, Senior Curator of Prints and Drawings at the National Gallery of Canada. Sonia Del Re holds a Master’s degree in Museology and a PhD in Art History. She first interned at the National Gallery of Canada in 2004–05 and officially joined its curatorial team in 2006. Today, she oversees a remarkable collection of more than 27,000 works of art on paper, created around the world between the fifteenth and twentieth centuries. Her curatorial work spans Dutch landscapes, the Carracci, Chagall, Pre-Raphaelite drawings, Picasso’s Vollard Suite, Venetian portraiture, early European monsters, and, most recently, Gathered Leaves: Discoveries from the Drawings Vault. In our conversation, we speak about drawings, prints, the life of the vault, curatorial research, and what works on paper can reveal about artists, history, and the intimate life of images.

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  The Blue Hour

  In Conversation with Professor Philip Stamp: Superfluid Helium and Quantum Vacuum Tunnelling

  Jul 7, 202655 min

  Professor Philip Stamp is Professor of Theoretical Physics at the University of British Columbia and Director of the Pacific Institute of Theoretical Physics, known as PITP, which he returned to Canada to establish in 2002. Mostly raised in New Zealand and educated in the United Kingdom, Professor Stamp began his academic life in philosophy and literature before turning to theoretical physics. He has since worked as a physicist in France, Spain, New Zealand, the Netherlands, Japan, Canada, and the United States. His research explores many aspects of quantum mechanics, including macroscopic quantum phenomena, quantum tunnelling, quantum gravity, and quantum cosmology. In this episode, we speak about his recent work with collaborators on superfluid helium and quantum vacuum tunnelling. The research uses an ultra-thin film of superfluid helium to examine the Schwinger effect, a famous prediction in quantum electrodynamics in which, under extreme conditions, the quantum vacuum may produce particle–antiparticle pairs. In Professor Stamp’s work, this idea is approached through vortex and anti-vortex pairs emerging in a quantum liquid. Our conversation turns to the meaning of the quantum vacuum, the difficulty of observing the Schwinger effect directly, the relationship between theory and experiment in physics, and finally, the strange beauty of a universe that is, in Professor Stamp’s words, both magical and real.

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