
Episode #113
Remarkable World Commentary Episode #113: Interview with Shaun Kelly, Pottery Instructor, SoKo Pottery Studio
️ Remarkable World Commentary Episode #113: Interview with Shaun Kelly, Pottery Instructor, SoKo Pottery Studio https://donnajodhan.com/rwc-09-21-2026/ In this heartfelt episode of Remarkable World Commentary, Donna J. Jodhan, LLB, ACSP, MBA welcomes her pottery instructor, Shaun Kelly, of SoKo Pottery Studio , who shares how clay first came into his life through his mother, and how a career as a programmer and IT project manager that kept him always on call, and at 350 pounds, gave way on his doctor's advice to a healthier life in pottery. He credits his first teacher, Pauline Harman, for the projects-and-templates approach he still uses with beginners, and his mentor, Sandi Dunkelman, for teaching him everything from throwing to loading kilns, making glazes and running a sale. Shaun talks listeners through centering clay on the wheel and his "wiggle, wiggle, wiggle" method for rolling an even slab, describes how simple pinch pots helped a man named Ricardo rebuild his motor skills after a stroke, and remembers Studio on the Hill as a safe space where everyone who walked in the door was a potter. He explains how SoKo, named for his initials, became his own studio when he took it on on May 1st, and shares plans for a Christmas show and sale on November 6th, 7th and 8th, a possible spring sale and an Empty Bowls fundraiser, while Donna looks ahead to her Canadiana line. TRANSCRIPT Podcast Commentator: Greetings. Donna J. Jodhan, LLB, ACSP, and MBA invites you to listen to her bi-weekly podcast, Remarkable World Commentary. Here, Donna shares some of her innermost thoughts, insights, perspectives, and more with her listeners. Donna focuses on topics that directly affect the future of kids, especially kids with disabilities. Donna is a blind advocate, author, sight loss coach, dinner mystery producer, writer, entrepreneur, law graduate, and podcast commentator. She has decades of lived experiences, knowledge, skills, and expertise in access, technology, and information. As someone who has been internationally recognized for her work and roles, she just wants to make things better than possible. Donna J. Jodhan, LLB, ACSP, MBA: Hello, everyone, and welcome to another episode of The Remarkable World Commentary. I'm Donna J. Jodhan, a lifelong disability advocate, and one who sees the world mainly through sound, touch, and stubborn optimism. I am a law graduate, an accessibility consultant, author, lifelong barrier buster who also happens to be blind. Donna J. Jodhan, LLB, ACSP, MBA: You may know me from a few headline moments, as in November of 2010, I won the landmark Charter case that forced the Canadian government to make its websites accessible to every Canadian, not just to sighted ones. And in July of 2019, I co-led the Accessible Canada Act with more than two dozen disability groups to turn equal access into federal law. And most recently, on June the 3rd, 2022, I was greatly humbled by Her Late Majesty's Platinum Jubilee Award for tireless commitment to the removal of barriers. Donna J. Jodhan, LLB, ACSP, MBA: When I'm not in a courtroom or in a committee room or in a pottery studio, you'll find me coaching kids with vision loss, producing audio mysteries, or helping tech companies to make their gadgets talk back in plain language. Everything I do circles one goal, and that is to turn accessibility from an afterthought into everyday practice. I invite you to think of this show as our shared workbench, where policy meets lived experience and lived experience sparks fresh ideas. Donna J. Jodhan, LLB, ACSP, MBA: Now, before we jump into today's conversation, let me shine a quick spotlight on today's guest, a changemaker whose work is every bit as remarkable as the world that we are trying to build. I am absolutely pleased and excited to welcome my pottery instructor, Shaun Kelly. Welcome, Shaun, to the Remarkable World Commentary podcast. Shaun Kelly: Thank you very much, Donna, for having me today. It's been a long time coming, and I'm excited to be part of the program. Donna J. Jodhan, LLB, ACSP, MBA: You changed my life when we met. You have forced me to stretch my imagination and to use my imagination, based on the functional vision I had before I lost it, to develop pieces, to create, and there's no limit to what we've been able to do over the last few years. Shaun Kelly: Exactly. And that's the beauty of pottery, is it's a metaphor for life. We're always evolving, adapting, growing. The only time you lose is when you say, "I can't do it." You gotta push through, right? And we gotta find a way to do it. Shaun Kelly: And that's the beauty, is both you and myself, I've learned how to express, to communicate, to look and... I shouldn't say to look at things differently, to hear things differently, to feel things differently. To express things differently. Just because there's one way, a common way, doesn't mean there's several other ways that might even be better. Donna J. Jodhan, LLB, ACSP, MBA: Absolutely. So Shaun, I would like to start right at the beginning, long before any of this was your work. Tell me how clay first turned up in your life, and what happened in that very first class that made you want to come back the following week? Shaun Kelly: Yeah, so I was very fortunate that my mom, she always had a love for pottery. And she said, "Come, come, come." And it was like, "Yes, I'm coming. I'm gonna be there." And then during that first class, you could build, right? You could build, you could create. You had the freedom to do what you wanted to do. And you literally had the tools in front of you to accomplish whatever that vision was. And doing this in a shared space, a group space, it had a lovely community feel. You got to meet people. You got to talk with people. And you learned from everybody. And from that first time, it was just like a lovely, humble family safe space that you could create anything you wanted in. Donna J. Jodhan, LLB, ACSP, MBA: Now, was she a potter? Was your mom a potter? Shaun Kelly: Yeah, she was. She loved the pottery. She collected it first. And then she started to be a potter, and then both my brother and myself got involved. But I got hooked hard. I took it even further than just the therapeutic side, the hobby side. I went on to do it more professionally. Donna J. Jodhan, LLB, ACSP, MBA: Oh, okay. Now, you made a big turn in your life from working with technology to working with clay, and I know something about turns like that, because I have made a few of my very own. Walk me through how that turn actually happened for you. Not the tidy version, but the real one. Shaun Kelly: Exactly. So it was a big decision, right? When you pivot, when you change your career, your field of study, it's a big, big life-changing moment. Donna J. Jodhan, LLB, ACSP, MBA: It is. It is. Shaun Kelly: And for me, it was slowly building. In my corporate life, in the life as a programmer, there was no leaving the building for lunch. No going to the gym. I was always on call, even on weekends. You had to be within an hour on call all the time. So I couldn't go afar. I couldn't go on vacations, and it really took a heavy toll on my life in terms of my health. Right? So I had money, right? I had a lovely career, but I had no time to spend it or to actually enjoy it. And it got to the point where I was 350 pounds. Donna J. Jodhan, LLB, ACSP, MBA: Oh, my lord. Shaun Kelly: It was just like, "What happened?" So it was like, my doctor said, "You have to make a life choice. You have to decide," right? "What are you gonna do?" And I chose a life, a healthy life. And that's what pottery gave me. Mentally, physically, it gave me that healthy lifestyle, that balance, right? That I think a lot of people need. Right? And all of us, like myself in my early days, I was just running, running, running, trying to get to the finish line, trying to make the buck. And I don't think that's what life was for me. Donna J. Jodhan, LLB, ACSP, MBA: Yeah, I can empathize with that. My goodness. I still remember how clumsy my own hands felt the first time [laughs] that I tried to center a lump of clay, and I doubt that you were born knowing how to do, either. Take me back to when the wheel was still new to you. What did you do over and over and again to get from clumsy to steady? Shaun Kelly: Exactly. And you're completely right. I was not a natural on the wheel by any means. I was very clumsy on the wheel. Trying to figure it out. And part of it is trying to center yourself so you can center the clay. So sometimes if you have a bad day, if you're distracted, if you can't focus, that can really throw off the work you're trying to do on the wheel. Shaun Kelly: So for me, I took a whole summer and I said to myself, "I'm gonna throw a bowl. I'm gonna make a bowl." And if I didn't, I'd scrap it and try again. And I just kept telling myself, "You know what? I can make a bowl. I can make a mug. I can make a cylinder." And I didn't give up. I just kept pursuing that. And I got closer and closer and closer until finally I achieved it, where by the end of that summer I could sit down, and say I wanted to make a bowl and I would make that bowl. And like you say, it's the repetition, the practice. A lot of it is muscle memory. So even for me now, I'll close my eyes and use my hands to feel the clay to reassure myself that, yes, I can do it. Donna J. Jodhan, LLB, ACSP, MBA: I guess you know how much I detest the wheel, don't you? Shaun Kelly: [laughs] I hear you. Donna J. Jodhan, LLB, ACSP, MBA: But I— Shaun Kelly: But sometimes we can't let it get the better of us. And it's a tough journey, I have to admit. Donna J. Jodhan, LLB, ACSP, MBA: Well, I think that one of these days I will say, "Okay, wheel, I'm coming," you know? But right now... yeah. No, but I think you're right, absolutely right. Wow. Shaun Kelly: And when you get it, the success, that achievement, like, "Yes, I've done it," it's really worth it. Yep. Donna J. Jodhan, LLB, ACSP, MBA: I'll keep that in mind for my New Year resolution. How's that? Shaun Kelly: Wonderful. Donna J. Jodhan, LLB, ACSP, MBA: Now, almost every potter I know can name the one teacher who got them started, and for me, that person changed everything. You called Pauline Harman your teacher. What did she do in a class that you still catch yourself doing with your own students today? Shaun Kelly: Yeah. So Pauline Harman was my first teacher, my first official pottery teacher. And she was a hand builder. So as a hand builder, it's like baking, where you roll out a piece of clay to create like a sheet of clay. And she would have wonderful projects and templates every week. So she'd have like a mug, a bowl, a vase, as something that you would be able to cut out and to create and to form into a vase or a bowl. And what was wonderful about it is even though you got the template, the basic shape of it, you could then design it. You could add texture to it. You could add creative elements to it. You could make it your own. Shaun Kelly: And even today, I try to focus on projects and templates in my formal classes this way, because it's a great way for someone just starting out to find it approachable, right? Because sometimes it can be overwhelming. All these new tools, all these new materials, everything is so different in the beginning. But as soon as you can just create or start creating a form, you know you can do the rest, that the rest will come together. Donna J. Jodhan, LLB, ACSP, MBA: But I think the approach that you and I have adopted is one where we use our imagination to say, "Well, what are we gonna do?" It's not necessarily templates. I mean, you offer me templates, but it's all about imagining and visualizing and going from there, right? Shaun Kelly: Exactly. So you can add to them, right? You can add elements to the template. You can carve the template. Right? That's just the beginning. And then after that, everyone has a different piece. Every piece is unique and one of a kind. Donna J. Jodhan, LLB, ACSP, MBA: Right, right, right. Now, you call Sandi Dunkelman your mentor. And to be a mentor is a very different thing from being a teacher. What has she given you that no class you could ever have signed up for would have given you? Shaun Kelly: Yeah. So my friends and everyone else, they like to say that I won the jackpot when Sandi Dunkelman became my mentor. Because it was just like a perfect match. Right? And she's an incredible thrower. Very determined, very driven, a perfectionist, a woman who speaks her mind. And it was just perfection. I mean, it allowed me to have direction and guidance. Right? So as she threw every week, and as she created items, whether it be a lidded sugar dish or a salad bowl, I would follow along, and I would learn all the steps all the way along. So she could do it all, and I learned as much as I could from her. I was like a dry sponge. Anything she was willing to do, I was willing to do with her. So that created just a very natural roadmap of what I needed to do and how to do it. Shaun Kelly: And it was in a cooperative space. So along the way, we would learn. She would show me how to load and unload kilns. How to make glazes. How to set up a sale, how to run a sale. Everything that involved the studio, she knew how to do. And it was just wonderful. So coming and going, it was a friendship, a lifelong friendship. And we would have lunch together. We would share stories. And we would be there for each other. And it was way beyond just making pottery, right? A sense of community. Being almost a family. Shaun Kelly: And it's that support outside of pottery that was very, very helpful, especially when transitioning from a career of IT project manager to pottery. To have that mentor was priceless. And above all, she also had a critical eye. She speaked her mind and the truth. So if it was a hard truth I needed, it was a hard truth I got. So it was wonderful. And if you can find a mentor, I would take it. Take it in a heartbeat. Donna J. Jodhan, LLB, ACSP, MBA: But that was quite a switch though, from IT to pottery. Shaun Kelly: It was a huge switch. And it was one that my health needed. My health, my body, my soul, it needed that change. It needed that reflection. And it made the world of difference. Donna J. Jodhan, LLB, ACSP, MBA: Wow. Now I'm just sitting here thinking of my own self. I mean, I don't know. [laughs] Let's move on. [laughs] Shaun Kelly: Okay. [laughs] Donna J. Jodhan, LLB, ACSP, MBA: People assume that someone who worked with computers and someone who works with clay have nothing in common. And I have never, ever believed that for a second. Tell me about one way of thinking you carried out of your years in technology that still shapes how you run a class today. And walk me through it in action. Shaun Kelly: Definitely. As a programmer, it was very logical. You had inputs, you had processes, and you had output. Right? Everything was very clear. And so it was the same idea. In a structured class, I could break down the process of a piece. Right? It could be the demonstration, right? Where it would be step one, we would roll out the clay. Right? Step two, you would cut the clay to size and maybe wrap it around your form or place it in your form. Step three would be maybe to assemble it, to score and slip and join all the pieces together. And step four might be to decorate it, to finish, to finalize it. Create that output. Shaun Kelly: So even when it comes to teaching nowadays, the week before or the night before, I'll always go through the project myself, step by step. I'll time myself. And I'll ask myself, "Is it fair to say, well, here's half an hour," if it took me a half hour to do? Right? So I know it might be it's an hour I'll give people, right? If it took me 30 minutes, they'll get an hour, just because of the time needed. So being able to break it down logically, to look at the pieces and just figure out how we get from beginning to end, that has made the teaching process fundamentally easier. I just don't sit there, make it, and say, "Okay, guys, good job. You go do it." Right? We'll go step by step. And along the way, we try to make it easier for people. And everybody has a different way of doing things. Donna J. Jodhan, LLB, ACSP, MBA: Yeah. That's very true. I'm listening carefully as you're saying this. I mean, as a programmer, isn't it step by step as well? Shaun Kelly: Exactly. So carrying that along and logically. And then if we do run into a problem, right, it would then come back to the beginning and asking a similar question and getting a different direction. So being able to think about things logically has really, really helped. Even that creative side, right, to be able to come back to somebody and say, "Well, which path would they take? Which direction would they go in?" Rather than just throwing ideas out. Donna J. Jodhan, LLB, ACSP, MBA: I want you to teach my listeners something right now. Someone out there has never touched clay and is quietly picturing complete disaster. So talk them through exactly what your hands do in the first minute with a lump of clay the way you would talk me through standing at the wheel. Shaun Kelly: Yep, exactly. So in the beginning, we wanna make you as comfortable as possible. Right? We want you to sit properly, to feel at one with the wheel. We don't wanna force you to create something. Our goal is to match the clay to the wheel itself. To sort of center it. And part of this is even easier if you were to close your eyes. And often, if your eyes are open, you can have an optical illusion as though it's wobbling or that it's not centered. But when you just use your hands, when you touch something, your hands won't lie to you. Right? Which is thankful. Very, very thankful. Shaun Kelly: And so we'll try to place the clay on the wheel, centered in the middle. And we just spin the wheel. Our hands are wet so that we aren't sticking to the clay. And we squeeze the clay at the 3:00 and 9:00 positions. That's sort of on the left and the right. We squeeze our hands in. Sort of cupping the clay. And that way the clay gets a sense of it wants to be in the middle. It wants to be centered. It wants to be steady. Shaun Kelly: Some of the things that I've made a mistake in is I try to push too hard. I try to force the clay to be something it doesn't wanna be. And it bounces back at me. Almost like a speed bump, right? It pushes back. So just if I can squeeze my hands and hold them steady, the clay will eventually form to your hands. So we let the clay and the wheel come to us rather than trying to sculpt it into something it doesn't wanna be. Shaun Kelly: And so the trick is, you'll hear people say this over and over again. Center yourself, lock in your arms. Do this, do that. But what does it really mean? What it means is our body has to be still. We have to be able to keep our body from moving. So if you find your arms are bouncing or you're rocking back and forth, then we're not centered ourselves. Then the clay is gonna be rocking back and forth or shifting. So once we can squeeze our hands together and hold them steady and our body is steady, then that's almost half the battle there. Donna J. Jodhan, LLB, ACSP, MBA: Wow. This is so interesting. I bet a lot of us don't really think of all this, right? Until we're put to the test, right? Shaun Kelly: Exactly. And like I say, some people will watch videos, and they'll throw out these terms. What does it actually mean? It's not until we're on the wheel, we're like, "Oh, now I understand. I can feel the way the wheel pushes against me." Right? Or the way the clay moves, and how it may go out of control sometimes. Donna J. Jodhan, LLB, ACSP, MBA: But what about for a hand builder like myself, how would you describe that? Shaun Kelly: The hand building process? Donna J. Jodhan, LLB, ACSP, MBA: Yes. Shaun Kelly: So I find that very... I try to slow myself down. I



