The Almanac of Rap

The Almanac of Rap is a two-time Webby Award-winning show that examines trends in hip hop and their impact over time...and it's way more fun than that description makes it sound. Each week, our host Donwill asks a question, presents a theory and finds a guest to come to some sort of consensus about it. Simply put, it’s a show about rap, by a rapper who loves rap music. Follow Donwill's Substack: https://workingcreatively.substack.com/

The Almanac of Rap is a music podcast hosted by Donwill/Okayplayer, with 67 episodes on record and a Required Pod Score of 80.

Donwill/Okayplayer hosts The Almanac of Rap, a music show with 67 episodes published.

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  Episode #31

  Rock Steady feat Ken Swift

  Sep 24, 202639 minS4

  Before breaking became a global industry, and long before it became an Olympic event, Ken Swift was helping define what the dance could be. A longtime Rock Steady Crew member and one of the form’s most important second-generation B-boys, Swift joins Donwill on The Almanac of Rap to revisit the late-’70s and early-’80s New York scene where DJs, concrete floors, gymnasiums and neighborhood crews turned movement into a new language. He explains why “breakdancing” was always a media invention, how Rock Steady expanded across boroughs, and why early breaking was as much about character, rhythm and community as athleticism. Swift also looks back on the films that exported breaking to the world (from Wild Style and Beat Street to the now-iconic Flashdance sequence) and weighs what happens when an underground culture becomes a global institution. He talks candidly about breaking’s Olympic debut, why he chose to watch and judge it from home, and why the future of the form depends less on spectacle than on education, tradition and teaching young dancers how to exist inside the culture, not just battle inside it. Ken Swift breaks down: How Rock Steady Crew’s second generation came together across the Bronx and Manhattan Why “breakdancing” was never the language the culture used for itself What Beat Street, Wild Style and Flashdance got right (and wrong) about early hip-hop How he really felt about breaking becoming an Olympic sport Why education and cultural memory matter more than ever for breaking’s future Got a question, comment or compliment? Leave a message today at 1-877-DONWILL (366-9455) It might just end up in an episode!️ Follow Donwill for fun hip-hop history, cultural commentary, and more.Substack: New Music TuesdaysInstagram/Threads: @donwillMixcloud: DonwillWebsite: Donwill.me Follow Ken Swift Instagram: @realkenswift   Website: www.breaklife.com Created and hosted by two time Webby Award-winning host Donwill, The Almanac of Rap is produced by Okayplayer, a division of AREYA MEDIA Inc. Originally launched in 1999, Okayplayer is the original progressive music site and maintains its position as the premier digital destination for music and culture connoisseurs worldwide. Learn more about your ad choices. Visit megaphone.fm/adchoices

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  Episode #30

  Precious Cargo feat Maiya the Don

  Sep 17, 20261h 6mS4

  Maiya the Don spent three years figuring out what she actually wanted to say. After Hot Commodity introduced a Brooklyn rapper capable of moving between drill, pop and straight-up bars, touring with Flo Milli and building an audience that first knew her as a beauty creator, Maiya found herself confronting a harder question: what does her music sound like when she's no longer trying to prove she can do everything? On this episode of The Almanac of Rap, she talks to Donwill about creating The Fine Print Club, her book club built around reading, community and creating space for Black women; recommends everything from S.A. Cosby to DMX; and hilariously puts her literary knowledge to the test against some of urban fiction's wildest book titles.  Between books and bars, she also makes a case for independence, explains why artists shouldn't run from being content creators and delivers a warning to anyone tempted to underestimate her pen: Precious Cargo (her new album) may be personal, but Maiya the Don still came to rap.  Maiya the Don breaks down: Why Precious Cargo became the coming-of-age album she needed three years to make Turning a beauty-content following into the foundation for a rap career Why independence gives her control over both her artistry and narrative Building The Fine Print Club and creating literary community for Black women Why “TSA” is her answer to anyone questioning a woman rapper's pen Got a question, comment or compliment? Leave a message today at 1-877-DONWILL (366-9455) It might just end up in an episode!️ Follow Donwill for fun hip-hop history, cultural commentary, and more. Substack: New Music Tuesdays Instagram/Threads: @donwill Mixcloud: Donwill Website: Donwill.me Follow: Maiya The Don  Instagram: @maiyathedonn     Album: Precious Cargo  ⁠  Book Club: @fineprint.collective Created and hosted by two time Webby Award-winning host Donwill, The Almanac of Rap is produced by Okayplayer, a division of AREYA MEDIA Inc. Originally launched in 1999, Okayplayer is the original progressive music site and maintains its position as the premier digital destination for music and culture connoisseurs worldwide. Learn more about your ad choices. Visit megaphone.fm/adchoices

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  Episode #29

  Pan Amsterdam feat Leron Thomas

  Sep 10, 202642 minS4

  Before Leron Thomas became the left-field rapper Pan Amsterdam, he was a Houston jazz prodigy sharing classrooms with Robert Glasper, touring with Bilal and building a reputation as a trumpeter willing to wander far outside jazz's borders. In this episode of The Almanac of Rap, Thomas traces that journey from Houston's High School for the Performing and Visual Arts to New York's jazz scene, and explains how listening to everyone from the Geto Boys and Busta Rhymes to David Bowie and Frank Zappa eventually made genre feel less like an identity than a suggestion. Leron Thomas breaks down: How touring with Tanya Morgan helped inspire his Pan Amsterdam alter ego Going from Robert Glasper's Houston classmate to Bilal's touring band How Iggy Pop discovered Pan Amsterdam and turned the connection into Free Why Busta Rhymes, Geto Boys and Southern rap influenced his jazz phrasing The creative tug-of-war between Leron Thomas, Pan Amsterdam and genre itself Got a question, comment or compliment? Leave a message today at 1-877-DONWILL (366-9455) It might just end up in an episode!️ Follow Donwill for fun hip-hop history, cultural commentary, and more. Substack: New Music Tuesdays Instagram/Threads: @donwill Mixcloud: Donwill Website: Donwill.me Follow: Leron Thomas  Instagram:  @leronthomas98 Spotify:  Leron Thomas Apple Music: ⁠ Pan Amsterdam Created and hosted by two time Webby Award-winning host Donwill, The Almanac of Rap is produced by Okayplayer, a division of AREYA MEDIA Inc. Originally launched in 1999, Okayplayer is the original progressive music site and maintains its position as the premier digital destination for music and culture connoisseurs worldwide. Learn more about your ad choices. Visit megaphone.fm/adchoices

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  Episode #28

  Skiddle Bandana feat La Reezy

  Sep 3, 20261h 1mS4

  On this episode of The Almanac of Rap, Donwill heads south to explore the past, present and future of New Orleans hip-hop with rising rapper, producer and 2026 XXL Freshman La Reezy. La Reezy shares how filming run-and-gun videos around his hometown helped him build an audience outside Louisiana, how a viral streetcar performance caught PJ Morton’s attention, and why he considers himself a “leader of the youth” within a new generation of New Orleans artists. For La Reezy, representing the city isn’t simply an aesthetic, it’s central to his strategy, community and identity. Fresh off recognition from the National Hip-Hop Museum and an appearance in Kendrick Lamar’s Super Bowl experience, La Reezy also opens up about faith, family, learning from Jon Batiste, studying Kendrick from behind the scenes and his ambitions beyond music. La Reezy breaks down: Why representing your hometown can be a competitive advantage The streetcar video that caught PJ Morton’s attention Performing at Keith Lee’s Family Day The ideas behind his debut album, Skiddle Bandana His dream of producing for Lil Wayne and NBA YoungBoy   Check out archived episodes of The Almanac of Rap at: https://almanacofrap.com/  Got a question, comment or compliment? Leave a message today at 1-877-DONWILL (366-9455) It might just end up in an episode!️ Follow Donwill for fun hip-hop history, cultural commentary, and more. Substack: New Music Tuesdays Instagram/Threads: @donwill Mixcloud: Donwill Website: Donwill.me Follow: La Reezy Instagram: lareezymusic Album: Skiddle Bandana Created and hosted by two time Webby Award-winning host Donwill, The Almanac of Rap is produced by Okayplayer, a division of AREYA MEDIA Inc. Originally launched in 1999, Okayplayer is the original progressive music site and maintains its position as the premier digital destination for music and culture connoisseurs worldwide. Learn more about your ad choices. Visit megaphone.fm/adchoices

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  Episode #27

  Embers To Ashes feat Everlast

  Aug 27, 202644 minS4

  On this episode of The Almanac of Rap, Donwill sits down with multi-platinum, Grammy Award-winning artist Everlast for a wide-ranging conversation about reinvention, longevity and a career that has consistently refused to stay inside one genre. Everlast reflects on returning to music with Embers to Ashes after nearly eight years, an album shaped by the pandemic, divorce, losing his home in the Woolsey Fire and eventually finding his way back to songwriting. He takes Don through his early days with Ice-T’s Rhyme Syndicate and Divine Styler, the friendships that connected him with DJ Muggs, B-Real and Cypress Hill, and the unlikely series of events that led to House of Pain and the creation of “Jump Around.” The conversation also revisits the genre-smashing Judgment Night soundtrack, the transformation that produced Whitey Ford Sings the Blues and “What It’s Like,” his relationship with Yelawolf, and why his decades-old beef with Eminem is firmly in the past. Everlast also considers what it takes to create a genuine anthem in today’s algorithm-driven music industry and gives flowers to the artists who helped make his career possible. Everlast breaks down: Returning with Embers to Ashes after an eight-year album hiatusLosing his home in the Woolsey Fire and rebuilding his life How COVID and fatherhood changed his relationship with touring House of Pain's unexpected relationship with Ireland Everlast says his Eminem beef is long over. Got a question, comment or compliment? Leave a message today at 1-877-DONWILL (366-9455) It might just end up in an episode!️ Follow Donwill for fun hip-hop history, cultural commentary, and more. Substack: New Music Tuesdays Instagram/Threads: @donwill Mixcloud: Donwill Website: Donwill.me Follow Everlast Instagram:  ogeverlast   Facebook: Everlast Spotify: Everlast  Apple Music: Everlast Created and hosted by two time Webby Award-winning host Donwill, The Almanac of Rap is produced by Okayplayer, a division of AREYA MEDIA Inc. Originally launched in 1999, Okayplayer is the original progressive music site and maintains its position as the premier digital destination for music and culture connoisseurs worldwide. Learn more about your ad choices. Visit megaphone.fm/adchoices

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