It seems like 99% (note: estimate possibly entirely made up) of working film and TV writers in the entertainment industry didn’t get a screenwriting degree. In fact, many started out in entirely different careers before transitioning over to the world of screenwriting. And many more writers worked several odd jobs before they sold their first script or got staffed on their first show. Almost every writer has a weird, crazy, or just utterly insane backstory. But along the way, these odd jobs shaped who the writers were as people, the content they write, and the random jokes and references they would later know way too much about In this podcast, TV writer Alyssa Feller interviews television, feature, comedy, drama, sci-fi, horror, animation, children’s, and late night writers to ask… what was that one weird job you had before you “made it”?
Pitch Analysis
Required Pod Score for this show. PitchCentric checks your profile against host openness, topical fit, and audience signals before you generate a pitch.
Contact path
Verified email
Booking probability
20%
Guest openness
Selective
Verified email on file
80/100
Required Score
Sign up to generate a grounded pitch for The One Weird Job... A Screenwriting Podcast.
What is The One Weird Job... A Screenwriting Podcast?
The One Weird Job... A Screenwriting Podcast is a tv podcast hosted by Alyssa Feller, with 19 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.
About the host
Alyssa Feller hosts The One Weird Job... A Screenwriting Podcast, a tv show with 19 episodes published.
Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.
Episode #6
Alyssa Feller Was An R.A. At A Ballet Boarding School
Aug 18, 20261h 10mS2
In this “flipped interview,” former guest Alyssa Stratton interviews host Alyssa Feller about her own weird job - working as a resident supervisor (aka a R.A.) at The Harid Conservatory, a boarding school for pre-professional ballet dancers. Alyssa Feller talks about working in the dormitories at this intense ballet boarding high school for students from around the country, and around the world, who came to Florida to study and dance ballet. She also talks about taking kids to the emergency room (they’re all fine!), the double standards that came with that “ballet look” dancers were expected to have, and what made pre-professional ballet dancers different but also the same as typical teenagers. She also talks about how she started her writing career and what motivated her to pick up and move to Los Angeles. Music: https://incompetech.com/music/royalty-free/music.html Vibing over venus "Vibing Over Venus" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Animation, comic, and video game writer JEREMIAH SMITH (Paw Patrol, WarBear) joins Alyssa to talk about the time he volunteered as a rodeo clown. Jeremiah talks about jumping into the job with no training, showing mules at other rodeo competitions, being a judge for the AuSpec Awards, and how he took the leap of faith and moved to Los Angeles to pursue a writing career. Music Credits: https://incompetech.com/music/royalty-free/music.html Vibing over venus "Vibing Over Venus" Kevin MacLeod ( incompetech.com ) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Becky Bellavia was a Disney World and Disneyland Cast Member
Jun 30, 20261h 8mS2
Development manager BECKY BELLAVIA (Titmouse, Dreamworks, 3 Arts Entertainment) joins Alyssa to reminisce about her time as a “Disney carny” aka an attractions cast member at Walt Disney World and Disneyland. Becky talks about her time in the Disney College Program (and all the partying that came along with it), working the insane front gates of Magic Kingdom on Christmas Day, checking the train tracks for unexploded fireworks first thing in the mornings, and dealing with drunk people trying to get on Space Mountain. She also talks about how being in the right place at the right time and being confident in herself helped her rise up from an assistant to a development manager at Titmouse. Music Credits: https://incompetech.com/music/royalty-free/music.html Vibing over venus "Vibing Over Venus" Kevin MacLeod ( incompetech.com ) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Lynn Maleh Worked at a Marketing Company Run By A Crazy Boss
Mar 2, 202653 minS2
Writer and stand up comedian LYNN MALEH (Universal Basic Guys, Act Your Age) joins Alyssa to talk about working as a copywriter at a company run by an absolutely crazy boss. Lynn talks about applying for the job based on the company’s dog mascot, her boss’s obsession with blender drinks, and what happens when a sociopathic boss is also dating the company’s HR manager. Lynn also talks about being accepted into and participating in writing fellowships like the Sony Pictures Television Diverse Writers Program and how those programs and some great mentors jump started her career. Music Credits: https://incompetech.com/music/royalty-free/music.html Vibing over venus "Vibing Over Venus" Kevin MacLeod ( incompetech.com ) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Charlie Price Was a Proposition Player For Casinos
Feb 10, 202644 minS1
Showrunner and animation writer CHARLIE PRICE (Me & Winnie the Pooh, Me & Mickey, Minnie’s Bow Toons) joins Alyssa to talk about his time as a third party proposition player at Los Angeles area casinos. Charlie talks about how he got paid to play games like blackjack and pai gow, the easiest but sketchiest job interview ever, the regulars he would meet playing the casino tables, and what it’s like to now write for some of the world’s most iconic animated characters. Music Credits: https://incompetech.com/music/royalty-free/music.html Vibing over venus "Vibing Over Venus" Kevin MacLeod ( incompetech.com ) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Every question we get asked before someone starts their trial.
If you have a concern about deliverability, AI quality, data privacy, or whether this will actually work for your specific situation, it's probably answered below.
What is the difference between Founder Solo and Founder Pro?
Founder Solo gives you 50 AI pitches per month using the credit model (Standard pitches cost 1 credit, Enriched pitches cost 2). Founder Pro raises that to 200 credits per month and adds full Booking Probability access, unlimited Magic Match, Apollo enrichment credits, and data export capabilities. Both plans use the same credit system, so you can stretch your monthly budget further by using Standard-mode drafting.
How do agency tiers work?
Agency tiers have no base fee. You pay per managed client and per talent profile. Agency Standard is $199 per client per month; Agency Pro is $399 per client per month. Both add $39 per talent profile per month. Your own team's user seats are always free.
What is a talent profile?
A talent profile represents one person (founder, executive, or spokesperson) you are booking onto podcasts. It includes their bio, topics, headshots, and outreach history. Team plans include 5 profiles; agency plans are pay-as-you-go.
Can I switch plans later?
Yes, at any time. Upgrades take effect immediately; downgrades apply at the end of the current billing period. Contact support if you need help migrating between plan families.
Do you offer a free trial?
Every paid plan includes a 15-day free trial. Your card is saved at signup but you will not be charged until day 16. Cancel any time from your dashboard.
What happens if I cancel?
You keep access until the end of your current billing period. No charges after that. Your data is retained for 30 days in case you reactivate.
Is the 20% annual discount automatic?
Yes. Select Annual on the pricing toggle and the discounted price is applied automatically at checkout. The annual price shown is the full year cost.
What if I have more than 50 profiles or 20 clients?
That is our Enterprise tier. Contact our sales team and we will build a custom plan with volume pricing, a dedicated account manager, and SLA guarantees.