The Sideletters

The Sideletters is the weekly B2B podcast on film, tech & future business in Europe. For professionals & decision makers in the creative industries. Hosted from Berlin/Hamburg, Paris, and Warsaw, we analyze the markets, cinema & streaming trends, business strategies, and technology shaping the future of European entertainment. Essential listening for producers, distributors, investors, and creative executives. New episodes out every Wednesday. Join the community on LinkedIn: https://www.linkedin.com/company/the-sideletters

The Sideletters is a society podcast hosted by Studio Massah, with 28 episodes on record and a Required Pod Score of 80. PitchCentric scores this show on Booking Probability, Listen Score, and live audience signals refreshed every 24 hours.

Studio Massah hosts The Sideletters, a society show with 28 episodes published.

Our AI reads these to draft pitches. Use them as grounding for a pitch that cites a real guest and a specific topic.

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  The Sideletters

  Maša Marković, Head of Industry in Sarajevo: How CineLink Builds Tomorrow's Film Talent | #028

  Aug 18, 202656 min

  Joanna Szymanska sits down live at CineLink Industry Days with Maša Marković , Head of Industry at the Sarajevo Film Festival. They dig into how CineLink builds a 20-year talent pipeline from film school to Cannes and back, why the industry needs better success metrics than box office numbers, the rise of microdramas as a format for public broadcasters, and why Southeast Europe's film industry might be "under-distributed" rather than oversaturated. But before that: Germany's biggest film funding schemes just ran dry, months earlier than expected. Jennifer Sabbah-Immagine and Fabian Massah unpack why the DFFF and GMPF incentives have already hit their cap, what it means for producers, crews and suppliers across the German film industry, and how France's "automatic funding" model offers a more predictable alternative. And a discussion inspired by the Locarno Film Festival’s panel which asked whether classic film critics can still compete for attention against influencers and user-generated reviews - and why independent criticism still matters for how audiences discover films. Links: Acquired podcast Disney Cinelink Magazine Locarno’s Panel “A World WIthout Film Critics” Germany’s Production Incentive at its limit (The Spot / German language) Connect with The Sideletters community on LinkedIn . The Sideletters is a weekly European B2B conversation on film, tech & future business. New episodes every Wednesday. Hosted by Jennifer Sabbah-Immagine (Paris), Joanna Szymanska (Warsaw) and Fabian Massah (Berlin/Hamburg).

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  The Sideletters

  #027 | Is Cinema Really Back? Box Office Truths, the Warner-Paramount Saga & the EU AI Act

  Aug 11, 202653 min

  Everyone's saying "cinema is back". But is it? In this episode of The Sideletters, Joanna Szymanska and Fabian Massah dig behind the headlines to find out what's really happening at the box office. We open with a wrap-up on the Wim Wenders–Nastassja Kinski controversy , now resolved with a joint statement and an apology, before turning to the never-ending Warner Bros.–Paramount merger drama, complete with daily penalty fees running into the hundreds of millions and a trial now pushed to 2027. We also unpack the EU AI Act 's new transparency rules, which came into force this August, and what they actually mean for filmmakers, podcasters, and anyone generating content with AI. Then it's the big topic: Spider-Man: Brand New Day and The Odyssey have pushed box office numbers to record highs , but ticket sales are still far below 2019 levels. We break down what's driving the "recovery": premium formats, a re-release boom, and a growing gap for mid-budget films. And we ask what this means for producers, marketing budgets, and the future of European cinema. Links: The Governance of Competitiveness in the European Film Industry (publication) https://link.springer.com/chapter/10.1007/978-3-032-14889-6_1 Connect with The Sideletters community on LinkedIn . The Sideletters is a weekly European B2B conversation on film, tech & future business. New episodes every Wednesday. Hosted by Jennifer Sabbah-Immagine (Paris), Joanna Szymanska (Warsaw) and Fabian Massah (Berlin/Hamburg).

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  The Sideletters

  #025 | The Fight for Gender Parity in Film w/ WIFT's Lisa Herbers. The Odyssey. Netflix's Value Proposition

  Jul 21, 202658 min

  In this episode, Joanna Szymanska and Fabian Massah explore: • Netflix's "What We Watched" Report (H1 2026): A deep dive into the latest engagement numbers. With more choices leading to "comfort food" viewing, has Netflix lost its curatorial edge? We discuss the platform's evolving DNA, the decline of the middle ground, and how Apple TV+ and Prime Video are stepping up to compete. • Christopher Nolan’s The Odyssey: The massive summer blockbuster is out and breaking box office records. We share our spoiler-free thoughts, discuss the eventification of cinema, and spark a debate: Could this film be a frontrunner for the European Film Awards? • Gender Parity in the Film Industry : Despite the "50/50 by 2020" movement, recent data shows a concerning backward trend for female directors, particularly in high-budget categories. We are joined by special guest Lisa Herbert (Producer at JUNA Film and board member of WIFT Germany) to break down the systemic blockages, harmful stereotypes, and why giving women the reins on bigger budgets isn't just equitable, it’s better for business. Links: WIFT Germany WIFT International What We Watched 1H 2026 (Netflix) What We Watched 1H 2025 (Netflix) Podcast on The Odyssey (NYT) Who Owns The Odyssey? (New Yorker) Krnov 70mm Film Festival Connect with The Sideletters community on LinkedIn . The Sideletters is a weekly European B2B conversation on film, tech & future business. New episodes every Wednesday. Hosted by Jennifer Sabbah-Immagine (Paris), Joanna Szymanska (Warsaw) and Fabian Massah (Berlin/Hamburg).

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  The Sideletters

  #024 | Netflix Chases YouTube, EAVE's New Leadership & The Future of Letterboxd

  Jul 14, 202632 min

  This week, Jennifer Sabbah-Immagine and Fabian Massah break down the latest shifts in the audiovisual industry. EAVE's New Era: Jennifer discusses her exciting new role taking over as Co-Head of Studies for the prestigious EAVE Producers Workshop , her vision for equitable co-productions, and empowering the next generation of independent producers. Then it’s Netflix vs. YouTube: Netflix is pivoting strategy by adding short-form and lifestyle videos . Is this a genius move to capture attention, or a "cheap content" panic? And more importantly: Why is Europe still waiting for its own competitive, independent video platform? Letterboxd for sale: With the independent film community Letterboxd in $250M sale talks with giants like Paramount and Netflix, we debate the future of independent film discovery . Will a corporate takeover ruin its editorial independence? We look at how monopolies shape content discovery and potential European alternatives. Links: 🔗 Netflix going after YouTube (Matt Belloni / Puck) 🔗 Letterboxd for sale (Inidewire) 🔗 EAVE 👉 Connect with The Sideletters community on LinkedIn . The Sideletters is a weekly European B2B conversation on film, tech & future business. New episodes every Wednesday. Hosted by Jennifer Sabbah-Immagine (Paris), Joanna Szymanska (Warsaw) and Fabian Massah (Berlin/Hamburg).

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  The Sideletters

  #023 | Streamer Investment Obligation Discussions Heating Up & Karlovy Vary Industry Insights with Hugo Rosák

  Jul 8, 202638 min

  Joanna Szymanska and Fabian Massah dive deep into the heated debate surrounding streamer investment obligations in Europe. With tech giants like Netflix and Amazon pushing back against regulations in Germany and France, what does this mean for the local creative economy? Is it an unfair tax on success, or a necessary contribution from an "extraction business" to fuel cultural diversity? At the same time, there is an engagement problem especially with 2nd and 3rd seasons. We discuss why they are still producing them. And that actually leads to the question: How do streamers measure the economic value of their production in investments in their balance sheets? Later in the episode, Joanna sits down with Hugo Rosák, Head of Industry at the Karlovy Vary International Film Festival (KVIFF) . They discuss the festival's ongoing mission to spotlight Central and Eastern European talent, foster cross-border co-productions, and the new "Book to Screen" initiative. Plus, they explore how independent producers can build resilience in an ever-shifting market. Links: 🔗 Streamers engagement problem (Lucas Shaw - Bloomberg) 🔗 KVIFF Industry Programme 👉 Connect with The Sideletters community on LinkedIn . The Sideletters is a weekly European B2B conversation on film, tech & future business. New episodes every Wednesday. Hosted by Jennifer Sabbah-Immagine (Paris), Joanna Szymanska (Warsaw) and Fabian Massah (Berlin/Hamburg).

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